--- both parts and even the TVnsynthesis---estabHshed a place for himnbeside Welles and Eisenstein, andnApocalypse Now barkens baek to thengrandeur of D. W. Griffith. Coppolancan, however, do effective work withinntight boundaries, as in The Outsidersnand Rumble Fish, but Coppola cannotnwork well with flexibility. Andnflexibility---a bit of give in the . . .

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