eluding Butiuel and Trufiaut, a mannequinesquenrock star, and an actressnwhose performances in MaHe's AtlanticnCity and Mazursky's Tempest are overshadowednby her ample anatomy. In ThenHunger they are not players. They arenobjects. The three are on the screen tonattract viewers (demisophisticates, rocknfans, voyeurs). They are null ciphersnwho never act but . . .

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