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Vito Acconci is similarly "artistic,"nthough less electric. In Security Zonen(1971), for example, he walked aroundnon a pier in New York; he wasnblindfolded and, he said, accompaniednby "someone about whom my feelingsnare ambiguous, someone I don't fullyntrust." Acconci didn't drown. Had he, thenworld of art (?) would have . . .

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