Ezra Pound’s ‘Language of Eternity’

22 / CHRONICLESn(though he hardly leaves it as he found it) over from thendramatic monologue of Robert Browning, whose forevernunread, unknown, and unpraised masterpiece, Sordello,nPound called "perfect" mask.nSordello, the original, was, for reasons of poetic simplicity,none of Pound's special favorites among the troubadours,nappearing not only . . .