Philip Glass offers a minimalist, somewhatnmechanical, but nonetheless pleasantnwaltz. This album is an engtossingnand economical means by which to acquaintnoneself with the various techniquesnof modern composers. The wildnheterogeneity of styles devoted to thensame form also tells us something aboutnour ruptured culture.nComposers Recordings has includednsome of Elliot Carter's early . . .

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