muke. It is significant that in AlbannBerg's Wozzeck, one of the more successfijlnatonal works, when the composer,ntowards the end, wishes to drawna musical moral from the operaticnproceedings, he drops the serial stylencompletely and writes in powerful,ntragic D minor.nIn a way, the achievement of thenmodern American Romantics . . .

Subscribers Only

Subscribe now to access the full article and gain access to other exclusive features.

Already a subscriber? Sign in here

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.