Music

muke. It is significant that in AlbannBerg's Wozzeck, one of the more successfijlnatonal works, when the composer,ntowards the end, wishes to drawna musical moral from the operaticnproceedings, he drops the serial stylencompletely and writes in powerful,ntragic D minor.nIn a way, the achievement of thenmodern American Romantics . . .

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