Music: Records

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lessly hammer at the same conceptualntheme. The word and notion bourgeoisienis distilled on their canvases as the purengnostic extract of evil. Rudolf Schlichter'snportrait of Bertolt Brecht becomes ansort of holy icon. Christian Schad's renditionsnof individualized depravity arenperhaps more humane, moderated bynsome melancholic, worldly introspections,nbut at the same . . .

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