Polemics & Exchanges

modish nymphomaniacal criticism,nhiahiy appreciated among the liberalncommissars of V'oi^ue and The NewnYorker. Her reasoning has the gracefulnessnot disco dancing, and it runs intonpeculiar mental arpeggios, as the followingnconclusion of her review of ThenDeer Hunter, an obviously masculinenmovie, demonstrates:n"... but Michael, the transcendentnhero, is a hollow figure . . .