modish nymphomaniacal criticism,nhiahiy appreciated among the liberalncommissars of V'oi^ue and The NewnYorker. Her reasoning has the gracefulnessnot disco dancing, and it runs intonpeculiar mental arpeggios, as the followingnconclusion of her review of ThenDeer Hunter, an obviously masculinenmovie, demonstrates:n"... but Michael, the transcendentnhero, is a hollow figure . . .
January 1975April 21, 2022By The Archive
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