Postmortem

28 I CHRONICLESnimages captured on film, stationary ornmoving, those hoaked-up picturesnworth a thousand hoaked-up words,ntheir "truth" a matter of who pointsnthe camera at what and why, vahdatednby sales. It was not ever thus.nAnd if any ought to try to break thenvicious cycle of this enslaving processnwherein . . .