38 / CHRONICLESntechnical film jargon. The reader mustnrepeatedly endure sentences like these:n"The Gary and Marty scenes arenplayed on a high level of spontaneousningenuousness typical of Ford's experimentalnrepresentationalism. . . .nNaturally this comedic style seemsnmore artificial than the grim, sculpturalnverismo." (Would anyone care tondefine "representationalism," let alonen"experimental representationalism"?nGallagher does . . .
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