son after the show.rnUnlike Gladiator, Gregory Hoblit'srnFrequency transcends mortal limitationsrnâ€”at least temporarily, which is onlyrnfitting for its time-travel premise.rnAt the sentimental heart of this film isrna fairly typical, if seldom discussed, wishfulfillmentrnfantasy: the desire to reachrnback in time and prevent the catastrophesrnthat have already befallen . . .
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