Theater: The Work of Romulus Linney

troubadour romances), skirts but doesrnnot reject the Platonic wisdom of Diotima,rnand presents the Helens and Ettarresrnand various Dames of his creation. Inrnthe end he arrives at the paradox that inrnreaching for the ideal of Woman, to possessrnis to lose. (To today's martial andrnsordid feminists, Cabell's delineationsrnwould be . . .