PERSPECTIVE

Love the One You’re With
by Thomas Fleming

Life in occupied America.

VIEWS

Education and Authority
by Michael McMahon
Respect in the marketplace.

Honor to Whom Honor
by Harold O.J. Brown
Below reproach.

America’s Unthinking Military
by Robert D. Hickson
Servants of the imperium.

Government: Good or Bad? Big or Little?
by Thomas Storck
Reframing the debate.

NEWS

First Prize, Second Hand, Third Rate
by James O. Tate
The award goes to . . .

Measuring Our Culture of Death
by Christopher J. Check
A sobering look at the family in America.

What’s Next for the Imperial Judiciary?
by William J. Quirk
The welcome constitutional crisis continues.

REVIEWS

Ghosts on the Stairs
by Derek Turner

Peregrine Worsthorne: In Defence of Aristocracy

plus

Clyde Wilson on Anne Norton’s Leo Strauss and the Politics of American Empire

Paul Gottfried on Roger Kimball’s The Rape of the Masters

Jonathan Chaves on John R. Harris’s Footprints in the Snow of the Moon

William J. Quirk and William J. Watkins, Jr., on Larry D. Kramer’s The People Themselves

CORRESPONDENCE

Letter From Iraq: Five Days in Hell, Part One
by Scott Taylor

Letter From Texas: Everything Dies
by Wayne Allensworth

Letter From Paris: Stakhanovism in Reverse
by Curtis Cate

VITAL SIGNS

IMMIGRATION: Life, Immigration, and the Pursuit of Consistent Conservatism
by James R. Edwards, Jr.

PSYCHOLOGY: The Death of David Reimer: A Case Study in Psychiatric Politics
by B.K. Eakman

THEATER: Exeunt Metrosexuals
by James Moses

MUSIC: Answering the Call
by Aaron D. Wolf

COLUMNS

THE WESTERN FRONT
by Paul Gottfried

PRINCIPALITIES & POWERS
by Samuel Francis

THE ROCKFORD FILES
by Scott P. Richert

THE AMERICAN INTEREST
by Srdja Trifkovic

IN THE DARK
by George McCartney
Vera Drake, Birth

WHAT’S WRONG WITH THE WORLD
by Chilton Williamson, Jr.

THE BEST REVENGE
by Michael McMahon

DEPARTMENTS

POLEMICS & EXCHANGES
AMERICAN PROSCENIUM
CULTURAL REVOLUTIONS

POETRY
The Marble by Charles Edward Eaton
Reckonings by B.R. Strahan

ON THE COVER

Cover and inside illustrations by Melanie Anderson.