Christopher Nolan’s “Oppenheimer,” far from offering a careful treatment of a morally complex subject, is instead steeped in the far-left propaganda and clichés of the ’60s.
Christopher Nolan’s “Oppenheimer,” far from offering a careful treatment of a morally complex subject, is instead steeped in the far-left propaganda and clichés of the ’60s.
The Passenger reflects Cormac McCarthy's longtime internal debate over the meaning, if any, and purpose, if any, of human existence.